MENDAK TIRTA PURNAMA KE DASA RING PURA MAJAPAHIT PUSAT TROWULAN/DALAM RANGKA PUJAWALI MAJAPAHIT JIMBARAN BALI

Dalam rangka pujawali di Pura Ibu Majapahit Jimbaran Bali tgl 7/04/2010 tepatnya di hari Buda Kliwon Gumbreg,kami selaku pengemong Pura melaksanakan Mendak Tirta ke Pura Pusat  Majapahit Trowulan bersama-sama dengan pengemong lainnya.Adapun keberangkatan kami ke Trowulan bersama rombongan dengan 1 bus sumbangan dari penyungsung(Jero Arya Citra) dari trah Arya Kanuruhan Bali dan sumbangan mobil kijang inova dari Jero Gde Dalem Tarukan dari Karangasem.

Keberangkatan kami ke Trowulan dengan matur pakeling pada tgl 28/03/2010 pagi jam 05:00 di Pura Ibu Majapahit Jimbaran kemudian langsung meluncur berangkat bersama-sama rombongan selamat di tempat tujuan yaitu di Pura Majapahit Pusat Trowulan,setelah sampai di sana kami menghaturkan banten piodalan untuk Leluhur Majapahit dengan tujuan agar dalam upacara nantinya di Pura Majapahit Bali berlangsung dengan aman tanpa gangguan dan berjalan lancar,kenapa kami selaku penyungsung menghaturkan banten piodalan di Pura Pusat…………..?karena sejak ditutupnya Pura Majapahit Trowulan tahun 2002,belum pernah melaksanakan piodalan selama 10 th,untuk itukami mengambil inisiatip agar beliau langgeng berstana di Pusat dan menyetanakan beliau dengan membuat “daksina lingga”baru karena daksina lingga lama sudah using.Malamnya  kami sampai di trowulan disambut oleh penyungsung dari Surabaya yaitu,Ibuk Nanik(pengemong Majapahit Jenggala Tulung Agung),buk Yeni,pk Cun Pei dan Om serta perwakilan dari Majapahit Blitar juga ikut bersama sama matur sembah bakthi/sungkem/sowan ke Leluhur Majapahit Pusat Trowulan.

Adapun acara di Purnama kedasa tgl 29/03/2010,kami lakukan di malam hari dan disertai hujan lebat bahkan hujan sanpai kami berangkat pulang kembali ke Bali,yaitu dengan bebantenan khas Bali,tumpengan oleh buk Yeni dan pk Cun Pei,serta banten ala kejawen dari Majapahit Blitar jadi di Pura Pusat Truwulan kami bergabung bersama-sama tanpa membeda-bedakan budaya masing-masing karena tujuaan kami adalah bakti/sungkem pada leluhur tanpa membedakan budaya.

Ketika kami mulai melaksanakan ritual di Pusat informasi Majapahit salah satu peserta ada yang kapeselang oleh Leluhur dan beliau berucap”SAYA SEDIH SEKALI KARENA YANG SOWAN DAN SUNGKEM KE SINI ADALAH KETURUNAN SAYA YANG JAUH-JAUH KENAPA KETURUNAN SAYA YANG BERMUKIM DISINI(TROWULAN)TIDAK ADA YANG SUNGKEM BAHKAN MENUTUP RUMAH SAYA SENDIRI DISINI’’begitu ucap Beliau,setelah kami lanjutkan ritual di Pura Pusat juga beliau turun lewat kapeselang/keraohan dan beliau berucap”ANAK-ANAKKU KALIAN JANGAN TAKUT AJIK(BAPAK)AKAN SELALU MELINDUNGI KALIAN DAN SEMUA TAK RESTONI KALIAN SEMUA LANJUTKAN PERJUANGAN KALIAN UNTUK MENGHARUMKAN NAMA LELUHUR MAJAPAHIT DAN BUKTIKAN SENDIRI INI ‘’begitu ucap beliau dan yang keraohan bukan main-main adalah BHIKKU WISNU DAN BHIKKU ALUNG yang sehari-hari beliau adalah menjalani kehidupan yang sangat sederhana,vegetarian,dan ngelakoni, seumur- umur tumben kami melihan seorang bhikku suci yang bisa keraohan berarti ini bukan mengada-ada,karena beliau tidak sembarangan meminjam raga seseorang ,beliau membutuhkan raga yang bersih dan suci untuk kapeselang,dan masih banyak lagi yang kapeselang yaitu Jero Purnama kerauhan Ibu Ratu Mas sambil menari-nari dan beliau memercikkan air suci untuk keselamatan kami semua.

Setelah perayaan selesai serentah hujan mulai reda sehingga kami merasa terharu dengan KEMAHA PENGASIH DAM PENYAYANG BELIAU YANG BERSTANA DI PURA MAJAPAHIT PUSAT TROWULAN,YAITU BATORO AGUNG PARAMA WISESA BESERTA PERMAISURI RATU MAS MAGELUNG YANG JUGA MEMPUNYAI STANA DI BESAKIH BALI.

Semoga di kemudian hari harapan kami(penulis) bagi penduduk setempat khususnya di Trowulan dan Jawa umumnya janganlah melupakan leluhur sendiri dan jangan terpengaruh dengan ajaran-ajaran dari luar yang bisa menyesatkan  bagi kita sebelum Leluhur memutus hubungan kalian,dimana tanah dipijak disana langit dijunjung,anda berada di jawa hormatlah dengan Danghyang Tanah Jawa,niscaya kalian direstoni dan dikasi jalan yang padang,PERCAYA ATAU TIDAK BUKTIKAN SENDIRI.

BRAHMARAJA TERIMA DHARMA AWARD 2010

Bertempat di Kampus Sekolah Tinggi Ilmu Ekonomi [STIE] AUB Surakarta Bertepatan  yaitu Tahun Baru Saka 1932 Raja Abhiseka Majapahit Hyang Bhatara Agung Surya Wilatikta Brahmarajaraja XI mendapat Penghargaan Dharma award 2010 dari Pusat Lembaga Kebudayaan Jawi [PLKJ]  .  Sebelumnya untuk yang pertama kalinya Pratima Leluhur Manivestasi Brahmaraja  yang oleh China disebut SE MIEN FO yaitu Dewa berkepala 4 yang dipercaya Kesatuan Dewa Brahma, Wisnu dan Siwa dibawa Matur Piuning ke Candi Dinasty Sindok di desa Ngetos Nganjuk [Anjuk Ladang] dan anehnya begitu Pratima tiba Penduduk setempat juga sedang mengadakan Tumpengan di Candi, Jadi untuk pertama kalinya sejak 500 tahun Keruntuhan Majapahit Pratima Brahmaraja mengunjungi Candi nya, dan Untuk Pertama kalinya pula Empu Pandita Agung Majapahit menyalakan Dupa untuk Tumpeng agar bisa diterima Leluhur, sebab biasanya acara Tumpengan tanpa asap Dupa karena dalam Agama Islam tidak diperkenankan membakar Dupa. Jadi ini suatu Keberuntungan Penduduk yang Tumpengan karena telah bertemu Pratima leluhur dan Pandita GRP [Gusti Raden Panji] Panca Nakha Prawira menyalakan Dupa untuk Tumpeng agar Doa bisa diterima Leluhur juga terlihat Gusti Pangeran Surya dari Buleleng Bali ikut memberikan pemahaman tentang Majapahit dan cinta adat budaya sendiri. Setelah Menerima Dharma Award Brahmaraja merayakan Tahun Baru Saka di Candi Prambanan, sebelumnya ke Candi Boko, Plaosan dan Candi Segawon/Asu/Kirik/Gana untuk Matur Piuning. Masih dihari Tahun Baru Saka 16-3-2010 diteruskan malamnya Upacara Tumpengan di Puri Surya Majapahit Trowulan, Dimana Bapak Andre Putra Mahkota Klenteng Tuban menyumbang Tumpeng Tahun Baru saka 1932 dan Tumpeng dibuat oleh Embah Tondonegoro dari Desa Beloh [Tan Bie Lauw] Leluhur Majapahit yang saudaranya Tan Wie Khang menjadi Raja Kaba-Kaba di Bali.                                                                                                                                                               

TUMPEK LANDEP PURA IBU MAJAPAHIT

PERAYAAN TUMPEK LANDEP DI PURA IBU MAJAPAHIT JIMBARAN DI AWALI DARI JAM 07:30 SAMPAI JAM 08:30 YANG DI PIMPIN OLEH PARA MANGKU DAN BIKKHU DAN BIKKHUNI PURA MAJAPAHIT SERTA BIOKONG EDI DAN PEMEDEK-PEMEDEK YANG TANGKIL MENGIKUTI SECARA KHUSUK JALANNYA UPACARA.KARENA DI PURA MAJAPAHIT BANYAK SEKALI PENINGGALAN PUSAKA YANG JUMLAHNYA RIBUAN PASANG SEPERTI MISALNYA DARI KERIS EMPU GANDRING,KERIS GAJAH MADA,KERIS SAPTA RESI,KERIS NAGA RAJA,KERIS NOGO SOSRO SABUK INTEN,SAMPAI KERIS SAM PO KONG DARI CHINA DAN BANYAK LAGI KERIS-KERIS LAINNYA YANG SEMUANYA SEPASANG-SEPASANG.

ADAPUN ACARA NYA DIAWALI DENGAN PEMBERSIHAN KERIS MENGGUNAKAN AIR TIRTA SERIBU MATA AIR DI SELURUH DUNIA YANG DILANJUTKAN DENGAN ACARA PEMASUPATIAN SAMPAI DENGAN ACARA PEDUDUSAN YANG DILAKUKAN RUTIN SETIAP HARI TUMPEK LANDEP.

SEMUA PEMEDEK KHUSUSNYA YANG MEMPUNYAI KERIS PUSAKA DI RUMAHNYA MASING-MASING MINTA TAKSU DARI BELIAU YANG BERSTANA DI PURA MAJAPAHIT DENGAN NUNAS TIRTA BASUHAN DARI KERIS-KERIS YANG ADA DI PURA DAN DI BAWA PULANG UNTUK KEPERLUAN DI RUMAHNYA MASING-MASING,KARENA AIR BASUHAN/WANGSUHAN KERIS ITU BERKASIAT UNTUK KESELAMATAN RUMAH TEMPAT KITA TINGGAL AGAR DIHINDARKAN DARI SEGALA GANGGUAN SEKALA MAUPUN NISKALA,SEPERTI MISALNYA SASAB MERANA,GERING AGUNG/PAGEBLUG/GERUBUG ,DESTI TELUH ANRANGJANA,SANTET DLL,DSB KARENA PUSAKA PUSAKA KERAJAAN UMURNYA SUDAH RATUSAN TAHUN BAHKAN ADA YANG RIBUAAN TAHUN DAN MERUPAKAN PEGANGAN RAJA-RAJA PENDAHULU KETIKA MEMPERSATUKAN NUSANTARA DARI ZAMAN SINGOSARI SAMPAI ZAMAN MOJOPAHIT YANG MASIH LESTARI DI BALI SAMPAI DETIK INI.KENAPA KERIS DIUPACARAI MELEBIHI LAYAKNYA SEBAGAI UPACARA MANUSIA  DAN DI SAKRALKAN……………………………………….  ?

KARENA KERIS ADALAH SIMBUL DARI KAWITAN YANG MANA TIAP LELUHUR TERDAHULU MEMPUNYAI PEGANGAN KETIKA BELIAU MASIH HIDUP DAN SUDAH TENTU PEGANGANNYA MEMPUNYAI YONI BERBAGAI MACAM KASIAT,ADA YANG BERKASIAT MENDATANGKAN HUJAN,BERKASIAT MENGHENTIKAN HUJAN,BERKASIAT UNTUK KESEJAHTRAAN RUMAH SAMPAI SETERUSNYA YANG TIDAK MUNGKIN DIUNGKAP SATU-PERSATU.

INILAH BUDAYA LELUHUR MAJAPAHIT TURUN TEMURUN DAN DILESTARIKAN SAMPAI SEKARANG BAHKAN SAMPAI SETERUSNYA KARENA BUDAYA RITUAL INI ADALAH BERLAKU BAGI KETURUNANNYA MESKIPUN KETURUNANNYA BERAGEMAN/BERBAJU APAPUN ,KARENA BUDAYA INI BUKAN MILIK AGAMA/AGEMAN TERTENTU MELAINKAN BUDAYA LELUHUR TURUN-TEMURUN.

BUKTINYA SELURUH MANUSIA YANG HIDUP MEMPUNYAI KERIS(PURUSA )DAN SARUNGNYA(PREDANA),SEHINGGA DIMANAPUN SAUDARA BERPIJAK PASTI ADA LAKI DAN PEREMPUAN,SIANG DAN MALAM,MATAHARI DAN BULAN ,TANAH DAN LANGIT.JADI MAKNA DAN FILOSOFINYA ADALAH KEMBALI KE LELUHUR BAPAK AKASA IBU BUMI,SANGKAN PARANING DUMADI YANG SUDAH TENTU UJUNG-UJUNGNYA ADALAH YANG TERTINGGI TUHAN/ALLAH DAN APAPUN SEBUTANNYA DIMASING-MASING AGEMAN,SILAHKAN TAPI YANG PALING PENTING ADALAH JANGAN SEKALI-KALI MELUPAKAN BAPAK IBU SAUDARA/I YANG MERUPAKAN PERWUJUDAN TUHAN YANG HIDUP,.ITULAH IMFLEMENTASI TUMPEK LANDEP DI BALI DAN NUSANTARA PADA UMUMNYA ,WILAHENG.

The History of Bali

More than four thousand years ago, Bali was an emerald green, tropical rain forest covered island. The first wave of human arrivals from across the seas brought with them techniques for rice cultivation, new languages and new customs. These early immigrants and others who followed over the years helped to create a haven, providing today's visitors with a wealth of sights and sounds, dances, music, arts and crafts.
The Island of the Gods is situated approximately on latitude 8o South and longitude 115o East. Bali and the neighboring island of Lombok are the most westerly of the Little Sunda Islands, and part of the 13,700 islands that make up Indonesia, the largest archipelago in the world.

The so-called Wallace Line that runs between the island and Lombok serves as the boundary between Asia and Australia, thus naturally separating the flora and fauna between the Sunda Shelf from the Sahul Shelf (to which Australia belongs). To the east lies the island of Java, which once was joined to Bali.

While little is known about the stone age people who first settled on the island, the bronze age people left a more lasting legacy. The Dong Son culture with its highly developed techniques of casting bronze objects flourished in Bali. The largest of the mysterious bronze rain drums, found in several Southeast Asian countries as well, was cast in Bali. Considered a sacred object, it is worshipped by the Balinese in the Pura Penataran Sasih Temple in Pejeng. It is said to be wheel that fell off the chariot of the goddess of the moon.

The bronze age people, who had a highly sophisticated art of casting bronze objects, also knew the techniques of dry rice cultivation and the art of weaving. Later waves of migrants, Malays mainly, brought with them the secret of wet rice cultivation that increase yields several fold. It began the transformation of Bali into a complex system of irrigation that would provide the water for the rice terraces. Rice then became the stuff of life and the measure of wealth.

Kingdoms began to flourish based on this wealth, with all playing homage to the pre-Hindu form of Dewi Sri, the beloved goddess of rice, represented in the ancient form of the chili motif found to this day in offerings.

Hinduism was introduced into Bali by the Brahmin priests in the 1st Century AD. These priests traveled along with the Indian merchants who were seeking the fabulous wealth of islands in this region. Hinduism caught on in Bali because it received the patronage of the kings. Buddhism to was accepted and both religions would be blended with elements of the old animistic faith. Throughout Bali, remains of these early independent kingdoms have been found attesting to their early practices and beliefs.
Of the many tales of old, one tells of a legendary evil king with a pig's head name Beda Ulu, the same name given to the present-day village of Bedulu, the site of his capital. Another relates to a giant Kebo Iwa, who is said to have carve many caves with his finger nails. These tales continue to be told to this day by the older folk.

Yet it was Hinduism and its off-shoot Buddhism that attained the dominant position in the Balinese way of life. Even the inscriptions left by the early kingdoms, were in the form and language of ancient India. Later monuments used a combination of the Indian and the Balinese languages.

Close to Bedulu stands the Goa Gajah (Elephant Caves), a religious complex that blends both the practices of Hinduism and Buddhism. Inside this complex there is a cave for meditation with three sets of lingga (phalluses) of Siva, a holy bathing pool and a sculpture of Hariti, the Buddhist deity.
Several other monuments still stand as testimony to a glorious past in Bali's history. Gunung Kawi or Poet's Mountain houses several 11th century royal tombs. The list would seem endless for the student of early Balinese history and just as fascinating for the modern day traveler.

But by the 12th century, this glorious period would come to an end with the invading armies of the Majapahit Empire and their brilliant General Gadjah Mada. Bali would become an important province of this East Java kingdom that became one of the most powerful empires in this part of the world.
It is said that Hindu Majapahit Empire gave Bali the form and structure that stands to this day. The caste system, rules and rituals, art and temple architecture were all passed on from this powerful empire. But Islam began to gain a foothold in the region in the 15th century, much of the strong links with India were broken. Even the mighty Majapahit would crumble by the 16th century and many Javanese nobility moved to Bali, the last stronghold of Hinduism, taking with them their courtly rituals and practices.

Left on its own, Bali would return to its animistic past. But this was the period when gamelan, dance, drama and the shadow puppet theatre would develop and flourish. It was also a time of profound change, for not only would there be the rise of Islam but the first westerners were beginning to appear.

The Dutch admiral, Cornelious Houtman arrived off the coast of Bali in 1598 to a friendly welcome by Watu Renggong who was king of a united Bali. Encouraged by this gesture, the Dutch named the island New Holland and their influence grew over the archipelago. But with the death of Watu Renggong, the other rulers would rule independently while still paying homage to the Dewa Agung - the honorary title of the Raja of Klungkung. The rulers would often engage in bloody warfare, and a period of conflict took hold.

This would change in the 19th century when the Dutch began to consolidate their hold on the various regions of their domination. The Balinese were a thorn in Dutch ambitions, as they seemed to enjoy a measure of independence and prosperity. In the 1840s, the Dutch mounted three wars to gain control over northern Bali. They succeeded only because other rulers in Bali sought Dutch aid for their own gains.

There were local heroes like Gusti Djelantik, who managed defeat the Westerners on one occasion in a brilliant move by feigning retreat, only to lead his army now brimming with over confidence, over the hills of Jagaraga in the north where they were ambushed. The ill equipped local forces were often easily outgunned by the Dutch with their modern weaponry.

The Dutch launched several ruthless campaigns in the archipelago, and it seemed the brunt of it were aimed at the Balinese. This response in Bali was typical. Local kings led their followers in puputan ("ending") in which all were given the rites of the dead and then marched out to be mowed down by Dutch gunfire. Those who were still standing were cut down by their own followers, thus ensuring their heavenly path to the glorious paradise of their illustrious ancestors.

The puputan happened between 1906 and 1908 when the kings of Denpasar and Klungkung chose this path rather than surrender. Thus the Dutch gained complete control over the island and imposed their brand of colonialism, which even included slavery and forced labour. But with the colonial power in firm control, the first waves of tourist began to "discover" the island.

Soon the world would hear of Bali, the islands of Gods, dance and drama. Thousands would descend on the island in search of the bronze drums and bare breasted beauties, and several would make their homes here, or take back with them some exotic object to adorn their own homes in the west. Even the local royalty would get into the act, competing among themselves to hire out automobiles and even their princely homes. Home stay was here to stay.

Of the many westerners who fell to the charms of Bali, perhaps the most famous was Walter Spies, the German painter who left legacy for all to see. Art and crafts were given new life catering to the needs of the tourists. This was a Golden Era in Bali's annals. Movie makers would immortalize the isle, while books would capture forever the charms and life style of the Balinese.

But in the 20th century Bali would also suffer the ravages of disasters; an earthquake and the eruption of Mount Batur in 1917 caused the loss of human life and untold suffering, then the island was hit by the Great Depression. Yet Bali remained in the minds of the most as the holiday island and almost every tourist fell in love with it.

Even the Japanese occupation was only a temporary obstacle, for slowly after the end of the Second World War, Soekarno, who was part Balinese, would declare Indonesia an independent nation and with it Bali gained its freedom forever.

The early days after the 1945 Declaration of Independence was tough of the islanders as with the rest of the nation. But independent Indonesia was a reality and the fledgling nation set its own course. Tougher times lay ahead when in the 1960s the island would suffer a famine, and first known eruption of the holy mountain, Mount Agung. Then as Balinese society itself was deeply divided between political ideologies and patronage, thousands suffered on the island, until the New Order Government, led by President Soeharto restored peace and gave the nation a new direction.

Tourist hotels, in the meantime, had sprung up in several parts of the island. The tourism industry was flourishing soon to gain the status of being among the top foreign exchange earners for the country. Almost every major hotel chain in the world is now represented in the island. The dream or turning Bali into a tourist haven has now become a reality. While the early attractions were mostly around Sanur and Ubud, the planned Nusa Dua complex and even Kuta Beach, which was unplanned, have become the major centers of tourist interest.

In Kuta, the hippies and the backpackers led to its rapid growth, and even to this day remains the place where you will find the true holiday-maker. But Bali offers much more for those who really want to spend time savouring a lifestyle, tradition, friendliness and inspiration. Head out to Ubud to immerse in the arts and crafts, to Batubulan for stone carvings, to Mas for silver and gold, to Tenganan for the geringsing cloth. You could spend a lifetime here and yet discover some place new, something that you missed. This is the charm and beauty of Bali. Arrive on its shores and be prepared to be swept off your feet

PAGERWESI

FILOSOFI PAGERWESI/PEMUJAAN LELUHUR/PEMUJAA KAWITAN

SEIRING BERJALANNYA WAKTU TAK TERASA SEKARANG TELAH DATANG HARI PERAYAAN UMAT HINDU DI BALI MERAYAKAN HARI RAYA YANG SERING DISEBUT HARI RAYA PAGERWESI YANG JATUH PADA HARI REBO KLIWON SHINTA EMPAT HARI SETELAH HARI RAYA SARASWATI/HARI TURUNNYA ILMU PENGETAHUAAN,KEMUDIAN DILANJUTKAN DENGAN HARI BANYU PINARUH DIMANA DIYAKINI SETELAH MELAKUKAN PEMUJAAN KEPADA DEWI PENGETAHUAN(SARASWATI=KWAN IM TANGAN EMPAT)AKAN DIBERI PENGETAHUAN LEWAT AIR SUCI/BANYU KAWERUH /BANYU PINARUH,YANG NANTINYA ILMU YANG KITA DAPAT MENGALIR TANPA HENTI-HENTINYA SEHINGGA DAPAT BERGUNA BAGI KEHIDUPAN KITA SEHARI-HARI.

SETELAH ITU DILANJUTKAN DENGAN HARI RAYA PAGERWESI PEMUJAAN LELUHUR /DEWA-DEWI /HYANG PRAMESTI GURU/HYANG TRI MURTI/HYANG WISESA/HYANG TUNGGAL/SIWA/BUDHA/TUHAN/ALLAH DSB, DST.KARENA BELIAU TELAH MEMBERIKAN BERKAH BERUPA ILMU PENGETAHUAN DAN SUDAH SEMESTINYA KITA BERSYUKUR ATAS BERKAH DAN LINDUNGAN BELIAU  DAN KITA DIBERI KEKUATAN UNTUK BENTENG KEHIDUPAN SEHINGGA KITA LUPUT DARI GODAAN-GODAAN BAIK SECARA FISIK MAUPUN PSIKIS /KETENANGAN JIWA DALAM MENJALANI KEHIDUPAN INI.KARENA DI JAMAN SEKARANG BANYAK ORANG YANG PINTAR TAPI BERAKHLAK RENDAH,PENIPUAN,KORUPSI,PENYALAH GUNAAN WEWENANG/KEKUASAAN ADALAH BUKTI KETIDAK BERHASILAN DALAM MENERAPKAN ILMU PENGETAHUAN DAN KURANG BHAKTI/TIDAK ADA RASA SYUKUR PADA BELIAU.

BIASANYA DIPERAYAAN INI PEMUJAAN DILAKUKAN KHUSUS KEPADA LELUHUR/YANG TELAH TIADA BAIK YANG BERSETANA DI MERAJAN/KAWITAN ATAUPUN YANG BELUM DI ABEN/MASIH DI LIANG KUBUR(SOWAN KE LELUHUR).KEMUDIAN DI LANJUTKAN KE DEWA PENGUASA SAMPAI KEPADA DANGHYANG/DANGHYANG PENGUASA SETANAH BALI MAUPUN JAWA TERGANTUNG DI MANA KITA BERADA,BARU KEPADA PEMILIK NUSANTARA SAMPAI KEPADA TUHAN.KARENA TATANAN KITA HIDUP DIMULAI DARI SANGHYANG SANGKAN PARANING DUMADI,TANPA LEWAT ITU ATAU LANGSUNG KE TUHAN/ALLAH DST,DSB TIDAK MUNGKIN DOA PERMOHONAN KITA TERKABUL(HORMATILAH KEDUA ORANG TUA KALIAN SEHINGGA KAU DIBERI KESEHATAN DAN BERUMUR PANJANG DI MUKA BUMI INI=PERINTAH TUHAN/ALLAH ADA DALAM KITAB SUCI MANAPUN JUGA).

SEMOGA DIPERAYAAN INI KITA MENSYUKURI APA YANG TELAH DIKARUNIAI OLEH LELUHUR SAMPAI KEPADA TUHAN SEHINGGA KITA DAPAT MENJALANI HIDUP SESUAI DENGAN PERINTAH TUHAN/ALLAH/DSB DST APAPUN SEBUTANNYA.WILAHENG.